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Who Wears the Hero Cape in * The Crucible *?
(who is the hero of the crucible)
Let’s speak about * The Crucible *. You recognize, that play where everybody sheds their minds over witches in Salem. The big inquiry right here is easy: Who’s the hero? Spoiler alert– it’s not straightforward. Arthur Miller really did not give out glossy hero badges conveniently. People die, lies spread, and panic eats the town to life. So that in fact stands tall in this mess? Let’s dig in.
First, the majority of people point to John Proctor. He’s the farmer with a guilty conscience and a loud mouth. Proctor cheats on his better half, which misbehaves. However he additionally despises hypocrisy, which is excellent. He yells at power-hungry leaders, calls out the court’s nonsense, and rejects to sell his good friends to save himself. In the long run, he selects death over existing. That’s rather strong. Yet wait– does being brave when make him a hero? Possibly. Yet he’s additionally a mess. He’s angry, stubborn, and reduce to fix his blunders. Hero product? Kinda. Perfect saint? Nope.
Then there’s Elizabeth Proctor, John’s wife. She’s peaceful, religious, and cold after John’s event. Yet when points get wild, she exists to shield him. That lie backfires, and unexpectedly John’s in deeper difficulty. Elizabeth grows later on, though. She condemns herself for John’s unfaithful and forgives him. She survives, yet she’s stuck grabbing the items. Is she a hero? She’s strong, sure, yet she’s even more like a survivor.
What concerning Giles Corey? The old person who cracks jokes and files a claim against everybody? Giles unintentionally gets his wife accused of witchcraft. He worries, then declines to call names in court. They press him with stones– literally crush him– and his last words are “more weight.” That’s hardcore. He passes away protecting others. Hero? Definitely. However he’s additionally a loudmouth who aided begin the mayhem. His heroism comes late, however it’s real.
Rebecca Registered nurse is an additional choice. She’s the granny everybody loves. Tranquility, wise, and deeply great. When the trials start, she states, “This is all rubbish,” and obtains hanged for it. No drama, no yelling– simply silent nerve. She’s the ethical foundation of the story. However does a hero need to eliminate, or just persevere? Rebecca stands firm. That counts.
Currently, let’s flip it. Perhaps the actual hero isn’t a person. Maybe it’s the reality. The whole play is about lies poisoning a town. Truth gets turned, hidden, and weaponized. But in little moments– John’s confession, Giles’ stubbornness, Rebecca’s silence– fact flickers active. It’s delicate, yet it’s there. Reality doesn’t win, yet it matters.
Or consider this: No one’s a clean hero here. Everybody’s flawed. John’s satisfaction, Elizabeth’s cold, Giles’ errors, Rebecca’s passiveness. Miller shows that heroism isn’t concerning being perfect. It has to do with choosing modesty when the globe goes mad. Even small acts count. A farmer possessing his errors, an old man buffooning his killers, a lady keeping her confidence– they add up.
The play itself is the hero, maybe. Miller composed it to call out McCarthyism, the 1950s witch quest for Communists. By utilizing Salem, he reproaches the fearmongering of his time. The actual heroism is remembering history so we don’t repeat it.
(who is the hero of the crucible)
So that puts on the cape? Depends what you value. Compromise? John. Stability? Rebecca. Defiance? Giles. Fact? The play itself. Heroes below are messy, human, and flawed. Yet that’s the factor. In a world gone nuts, even damaged people can light a suit.



